Prepare to be captivated by the chilling tale of Nazareth Hassan's 'Practice', a theatrical masterpiece that left me utterly horrified, and I'm sure it will do the same to you. This play is a bold exploration of power dynamics and the dark side of artistic expression, and it will leave you questioning everything.
What makes a horror story truly terrifying? Is it the supernatural, the bloodshed, or perhaps the lo-fi, raw fear that sends shivers down your spine? 'Practice' takes a unique approach, offering a horror experience that goes beyond the typical jump scares. It's a play that delves into the depths of human psychology, leaving you with a sense of unease that lingers long after the curtains close.
In 'Practice', we find ourselves trapped in a house with a monster, or perhaps multiple. But this monster is not a supernatural entity; it's the very essence of power and manipulation. The characters, like flies caught in a web, are gradually consumed by a force they willingly submitted to. It's a disturbing portrayal of how enthusiasm can turn into a trap, and how validation can become a dangerous drug.
But here's where it gets controversial... Hassan's play challenges the very nature of theater itself. They argue that theater, in its Western form, is a manipulation of power, and an act of submission to the will of those who can afford to be artists. It's a bold statement that will undoubtedly spark debates among theater enthusiasts.
The story follows a group of actors, led by the enigmatic Asa Leon, who are gathered to create a devised performance. Asa's methods are subtle yet sinister, and as the play progresses, we witness the gradual erosion of the actors' autonomy. It's a chilling portrayal of how power dynamics can twist and manipulate, leaving victims eager for more.
The first act, a lengthy two hours, leaves no room for doubt about the menace that lurks within. Asa's establishment of a values chart, a seemingly innocent tool, becomes a weapon of control. The actors, from the naive to the guarded, eagerly participate in their own demise, feeling validated at every step.
And this is the part most people miss... Hassan's second act reveals the true nature of the violence that has been building. It's a brutal, blunt-force impact that leaves you reeling. The revelations add a new layer of disgust to the already nauseating first act, like a powerful lens that reveals the true colors of the abuse.
Despite the horror, 'Practice' is a showcase of exceptional talent. The actors, under the direction of Keenan Tyler Oliphant, deliver an extraordinary ensemble performance, showcasing their range and skill. It's a testament to the power of theater, even in its darkest moments.
So, is 'Practice' a mere satire, or does it offer a sincere exploration of abuse and power? I'll leave that for you to decide. One thing is certain: Hassan's play demands an exorcism of power, and it will leave you questioning the very nature of artistic expression.
'Practice' is a must-see for those who dare to confront the horrors that lurk within us. It's a chilling reminder that sometimes, the scariest monsters are the ones we create ourselves.
Catch 'Practice' at Playwrights Horizons until December 7th, and decide for yourself if it's a love letter to theater or a warning against its dark side.
